tirsdag 2. desember 2014

Fuzz Club Records/Black Angels/Sonic Jesus

Release date December 15th. Limited to 1000 copies. 250 on transparent RED VINYL exclusive to the Fuzz Club store. Also available on white vinyl (750 copies).
Formed in 2004, The Black Angles have already gained the cult status. In a way they represent a solid bridge between the Brian Jonestown Massacre and the international Psych scene of today, and they keep spreading that joyful psych-infection that has been taking over the globe in the last few years.
Sonic Jesus are a young band from Doganella Di Ninfa, Italy in 2012. They took part to the Reverb Conspiracy compilation album (co-released by Fuzz Club and Austin Psych Fest) twice. Their sold-out debut EP, was released by Fuzz Club and the Reverb Appreciation Society. Their sound is a colourful blend of Sixties, Folk, Krautrock and Shoegaze, made up of drones and layers of sound combined with poetic lyrics. This single is a preview of their debut LP, which will be released next year.


torsdag 20. november 2014

A Place To Bury Strangers - 'Straight'

Place To Bury Strangers - 'Straight' from 'Transfixiation'

Out February 17th, 2015 on Dead Oceans

onsdag 5. november 2014

Janitors: Evil Doings Of An Evil Kind

Right now Europe is experiencing a wave of political forces attempting to normalize fear, oppression and exclusion of people of other cultures, skin tone, sexual preference and in many cases gender than their own. This band believes in equal rights for everyone. http://thejanitors.bandcamp.com/

Ttotals: Let Everything Come Through


fredag 17. oktober 2014

torsdag 16. oktober 2014


...Rhyton is a band that features Dave Shuford (No Neck Blues Band), D. Charles Speer, Jimy SeiTang (Psychic Ills), and Spencer Herbst (Messages, Matta Llama) improvising their way through fields of psychedelic rock. Rhyton pours out a sonic libation unto the liberated world. Waveforms ring out, alternately frozen and blazing, wrenched from an improvisational method. They seek to loosen the gaze so as to widen focus, taking the unity in hand, not grabbing for the micro-constituent. Using the dynamic levels of rock, Rhyton carve out an edifice of sound on their debut LP that centers upon repetition and modal excursion. Recorded and mixed by Jason Meagher at his Black Dirt Studio, this self-titled release is culled from a highly fruitful three day recording session. Seeking to capture the cutting intensity level of their live performances, the band takes the ethos of full engagement. The multiple amp setup at hand in the studio helps imbue the ear with “second hearing”. The split stereo, dual amped electric leads utilized throughout the record are best experienced on tracks like “Pontian Grave” and “Teke” where phase and tremolo patterns bounce and surge from ear to ear, warping senses of both time and space. These two distinct sound sources are a manifestation of dual perspectives derived from a single emanation: this is not the fracturing of a voice, but rather its multiplying into a unified but complimentary chorale as different delay lengths and distortion levels cohere into an ensemble greater than its parts. On “Dale Odaliski” the rock trio trappings are stripped away as a booming tom tom, oscillators and delay loops evoke a kind technological primitivism that seems akin to a message from a shattered, distant future... last.fm/Rhyton

The Psychedelic Shafferson Jetplane – Membrillo’s Ride / Rugby